Of all Taylor’s albums, I’ve had the most complex relationship with Reputation. At first, I didn’t much care for it, but over time, my opinion of it has greatly improved. It’s perhaps the most consistent and most cohesive of her albums (statistically demonstrated by the fact it has the lowest standard deviation! #statsnerd), even though throughout much of it her tongue seems firmly in her cheek. This isn’t so much “Taylor Swift” as it is “Taylor Swift’s reputation“; she plays the media caricature of herself here while “old Taylor” is dead. At at the end of this epic rock opera, the final track points unambiguously toward her ‘resurrection’ on a “New Year’s Day.”
Reputation (released 2017)
“Nothing good starts in a getaway car…“
“… Ready For It?” (8.5/10): Let the games begin indeed, as Taylor throws down perhaps her strongest opening track on any of her albums.
“End Game” (9.5/10): I once derided this song, but I was wrong; somehow this epic combo of Future, Sheeran, Swift, rap, and pop really works (even though it seems it shouldn’t), foreshadowing the optimistic turn at the end of the album, but first…
“I Did Something Bad” (8/10): … Taylor begins her descent into madness in an energetic track that I suspect contains more than a bit of sarcasm.
“Don’t Blame Me” (8.5/10): The “crazy Taylor” of Reputation compares her lover to a narcotic, and the explosive chorus really lifts this track.
“Delicate” (9/10): In contrast to her (pre-Folklore) tendency for big, bombastic emotions, Taylor goes for understated and a bit coy, and it pays off in what seems like the most successful single from this album.
“Look What You Made Me Do” (7/10): Musically there’s about four different songs going on here, and they work well enough together in this vengeful tune, although it was probably a mistake to release this as the album’s lead single; that crazy music video, though, is easily a 10/10.
“So It Goes” (9/10): Maybe I’m in the minority, but I think this is a hidden gem that lyrically and musically expresses the overall tone and atmosphere of the album.
“Gorgeous” (8/10): One of my rules of music is that I don’t like to hear children speaking in a song; this fun song, which begins with Blake Lively’s kid saying “gorgeous!”, is the one exception I tolerate.
“Getaway Car” (10/10): This masterpiece provides a climax and plot twist for the whole album (signaled by a rare key change no less, I think the first main album one since “Love Story” all the way back on Fearless) as crazy Taylor steals the money and the keys and drives away.
“King of My Heart” (8.5/10): And after a brief but reflective pause, this song opens with Taylor perfectly fine and alone; then a new character, the king of her heart, shows up, with the chorus and bridge so powerfully expressing Taylor’s affection for him.
“Dancing With Our Hands Tied” (6.5/10): This song is listenable enough, but never seems to achieve full liftoff; I like the light/fire/water imagery in the bridge, though.
“Dress” (6/10): This and the prior track are, in my opinion, the OKish songs on the album; they’re fine enough and fit thematically, but when I put in Reputation, it isn’t because I want to listen to these songs.
“This is Why We Can’t Have Nice Things” (8.5/10): Taylor strikes back at Kanye in a raucous number that was surely a crowd-pleaser as the closing song on the Reputation tour.
“Call It What You Want” (9/10): As Reputation draws to a close, Taylor lays down her weapons and her armor, seeming to turn away from relational drama and toward a quieter and stronger expression of romantic affection.
“New Year’s Day” (9.5/10): It’s mostly Taylor and a piano in this brilliant final track, a song that is both totally like and totally unlike “Long Live” that closed Speak Now; her synthesis of both songs in the Reputation tour serves as a powerful illustration of her musical genius.
Reputation mean = 8.37 (standard deviation = 1.13)